What a cab IR is, and where MultiTracks IRs work
A cab impulse response (IR) is a short audio file that captures how a real speaker cabinet, microphone, and mic position color a guitar signal. Put an IR after an amp model, a DI amp capture, or a preamp pedal, and you hear that cabinet as if it were miked in the room. Change the IR and you change the speaker, the mic, and the placement without touching the amp.
MultiTracks IRs are standard .wav files. They load on any device or software with an IR or cab loader: flagship modelers like Helix, Axe-Fx, Kemper, Quad Cortex, ToneX, and HeadRush; budget multi-effects from Mooer, Nux, Hotone, Sonicake, and Valeton; amp-simulator pedals with built-in IR loaders like the Walrus Audio ACS1 and Strymon Iridium; and free or paid IR loader plug-ins on your computer. If your gear loads IRs, it loads ours, whatever it cost.
The two specs that matter when you load an IR are its sample rate and its length. The next two sections explain both in plain terms.
Sample rate: what it means
Sample rate is how many times per second the audio was measured, written in kilohertz (kHz). An IR recorded at 48 kHz holds 48,000 measurements for every second of sound. The common rates are:
Sample rate | Where you see it |
44.1 kHz | CD audio; some older IR libraries and DAW sessions |
48 kHz | The most common rate in guitar modelers and pedals (Line 6, Walrus Audio ACS1, and many others) |
96 kHz | High-resolution gear and plug-ins (Strymon Iridium, some DAW sessions) |
Why it matters: an IR has to match the sample rate your device runs at. A 44.1 kHz IR played back on a 48 kHz device without conversion sounds slightly wrong: the cabinet's tone shifts up, as if the speaker shrank. Good loaders prevent this by converting the IR to their own rate when you import it. A higher sample rate is not automatically better on your device; what matters is that the IR matches the rate the device actually runs.
IR length: what it means
IR length is how much of the cabinet's response the file holds, counted in samples (or in milliseconds). Longer IRs capture more of the cabinet's low-end resonance and the way the sound decays; shorter IRs use less processing power.
Length | Time at 48 kHz | Typical use |
1,024 samples | about 21 ms | Lower-power pedals; saving processing on multi-effects. Slightly less low-end detail |
2,048 samples | about 43 ms | The standard on most modelers (Helix, HX, POD Go, Helix Stadium). Captures the full character of most cabinets |
Longer (up to 500 ms) | up to 500 ms | High-resolution loaders and plug-ins (Strymon Iridium, Axe-Fx III UltraRes). Most detail in the lows and the room |
The same number of samples covers a different amount of time at different sample rates: 2,048 samples is about 43 ms at 48 kHz but about 21 ms at 96 kHz. That is why loaders often talk about length in milliseconds.
In a full band mix, most players cannot hear the difference between 1,024 and 2,048 samples. Use the longer version when your device has the processing to spare.
Native files vs. converted files
Not every IR producer exports every IR at every sample rate and every length, and you do not need them to. Most modern devices and editors convert the IR for you when you import it: they resample it to the device's rate and trim or extend it to the device's length.
Conversion works well, but it is still a change to the file. So follow one simple rule:
If the pack includes a version at your device's native sample rate and length, load that one. It plays exactly as the producer made it, with no conversion after the fact. If your exact version is not in the pack, load the closest one and let your device's editor convert it.
To find your device's native spec, check the platform table below or your device's manual. If a device or app does not say whether it converts, assume it does not, and load the 48 kHz version, which is the safest choice for most guitar hardware.
Which platforms convert for you
This is what we have confirmed from each manufacturer's documentation as of October 2026. "Converts automatically" means the editor or device resamples and resizes the IR on import, so any MultiTracks version loads correctly.
Platform | Loaded with | Converts automatically? | Plays IRs at |
Line 6 Helix, HX Stomp, HX Effects | HX Edit | Yes: any sample rate, bit depth, length, mono or stereo (keeps the left channel) | 48 kHz mono, 2,048 samples (1,024 option) |
Line 6 POD Go | POD Go Edit | Yes | 48 kHz mono, 16-bit |
Line 6 Helix Stadium | Helix Stadium app | Yes: any sample rate, bit depth, length, mono or stereo | 48 kHz mono, 2,048 samples, 32-bit float |
Kemper Profiler (all) | Rig Manager | Yes: converts the .wav into a Kemper Cabinet preset | Kemper Cabinet format |
Fractal Axe-Fx III, FM9, FM3 | Fractal-Bot / Manage Cabs in each editor | Yes for .wav files (confirm per unit) | Axe-Fx III up to UltraRes; FM9 and FM3 up to 1K (Normal Res) |
Neural DSP Quad Cortex, QC mini | Cortex Control or Cortex Cloud | Check your manual | See Neural DSP docs |
IK ToneX (Board, Pedal, ONE, Plug) | ToneX Board Editor / ToneX Editor | Check your manual | See IK docs |
HeadRush Prime, Core, Flex Prime | USB Transfer, Dropbox | Check your manual | See HeadRush docs |
On the computer, most IR loader plug-ins and DAWs also convert on the fly to match your session's sample rate. For platform-specific loading steps, see the MultiTracks guide for your device.
Dedicated IR pedals and loaders: check your device
Amp-simulator pedals with built-in IR loaders, and standalone IR loader pedals, vary more than full modelers do. On an amp-sim pedal there is no separate cab model to fall back on: the IR is the cabinet, so loading the right version matters even more. Some convert any IR you give them; others expect a specific sample rate and length and may play a mismatched file incorrectly or refuse it. Before you load MultiTracks IRs into one of these, check your device's documentation for two things:
What sample rate and length does it run?
Does its editor or app convert other rates and lengths automatically?
If the answer to the second question is no or unclear, load the MultiTracks version that matches the device's native spec.
Two popular examples:
Walrus Audio ACS1 (and ACS1 MKII). An amp-simulator pedal: its amp models feed a built-in IR loader, and that IR is the entire cab sound, so the IR you load is the cabinet you hear. Plays IRs at 48 kHz, up to 200 ms long. Custom IRs load through Walrus Audio's web app at walrusaudio.io over USB-C, and the app converts sample rate and length automatically, so any MultiTracks version will load. The 48 kHz version is still the native match.
Strymon Iridium. Also an amp-simulator pedal whose cab sound comes entirely from its built-in IR loader. Plays 24-bit, 96 kHz IRs up to 500 ms long, loaded with Strymon's Impulse Manager software. Impulse Manager does not convert sample rate or length. Load only IRs that are already 96 kHz and no longer than 500 ms. If the pack does not include a 96 kHz version, convert the file in any DAW first (export as a 96 kHz .wav, trimmed to 500 ms or less), or contact our support.
The same applies to other IR pedals (Two Notes, Mooer, Hotone, Joyo, and others): check the spec, load the matching version, and when in doubt, use 48 kHz.
What you get in a MultiTracks IR pack
.wav IR files captured from the cabinets used on the records, with the mic and position named in each file.
The formats our producers export, labeled with sample rate and length in the file name or folder (for example, 48 kHz / 2,048 samples). Not every pack includes every rate and length; your device's editor converts the rest.
Single-mic and blended IRs where the producer made them: a single mic for control, a blend of two mics for a finished sound.
A readme listing each IR, its cabinet, speaker, mic, and position, plus the amp or capture it was designed to pair with.
MultiTracks IRs are mono unless labeled stereo. Many loaders that play one IR at a time keep only the left channel of a stereo file. See One IR or two below for how loaders handle blends and stereo.
Loading IRs
Every IR loader follows the same pattern:
Pick the right version. Find your device's native sample rate and length (table above or your manual). Use the matching MultiTracks file if the pack has one.
Import the file with your device's editor, app, USB transfer, or file browser.
Add an IR or cab block after your amp model, DI capture, or amp pedal.
Select the MultiTracks IR in that block.
Save the preset.
Platform-specific steps are in each MultiTracks guide: Line 6, Kemper, Neural DSP Quad Cortex, IK ToneX, Fractal, HeadRush, and NAM. For a computer, load the .wav into any IR loader plug-in after your amp sim.
One IR or two: mono, blends, and stereo
A cab IR is a mono signal at heart: it captures one microphone on one speaker. Some files are labeled stereo, but a stereo IR is really two mono captures (two mics, or two positions) packaged together in one file. How many IRs you can run at once, and what happens to them, depends entirely on your loader, not on the IR.
Loaders handle a second IR in one of three ways:
Loader type | What it does with two IRs | Examples |
Single loader | Plays one mono IR. Load a blended MultiTracks IR if you want a two-mic sound | Many compact pedals and budget units |
Dual loader, blended | Mixes two IRs together into one sound, with a level for each. Great for combining two mics on the same cab, or two different cabs | Helix Stadium (two IRs in one Cab block), many plug-ins |
Dual loader, stereo | Sends one IR to the left output and the other to the right. A wide stereo guitar sound for stereo PA or in-ear mixes | Helix Stadium (pan each IR), Strymon Iridium (stereo IRs), many plug-ins |
Check your device's manual to see which it offers. If your loader takes only one IR, you lose nothing: MultiTracks blended IRs give you the two-mic sound in a single mono file. If it takes two, try pairing a close-mic IR with a distant or ribbon-mic IR from the same cab, then match levels and check the phase (see below).
Getting the best from IRs
One cab, once. An IR goes after an amp model, a DI capture, or an amp pedal with its cab sim off. Never after an Amp + Cab capture or a profile that already includes a cab; the result sounds muffled.
Blending two IRs. Many loaders hold two IRs side by side. Start both at the same level, then adjust. If the blend sounds thin or hollow, flip the polarity (phase) on one IR; mics at different distances can cancel each other out.
Low and high cut. Most IRs benefit from a low cut around 80 to 100 Hz and a high cut around 8 to 10 kHz in a direct worship mix. This clears room for bass and keys and tames harshness.
Feeding a guitar amp? Turn the IR off on that output, or use the amp's effects return. An IR into a real speaker doubles the cabinet.
Level match. IRs vary in volume. Match each IR's level before comparing them, or the louder one will always sound better.
Troubleshooting and FAQ
My device will not accept the file. It may only take a specific sample rate, bit depth, or length. Check its manual and load the matching MultiTracks version. If none matches, convert the file in any DAW (export as mono .wav at the device's rate) or contact our support.
The IR sounds thin, small, or too bright. The sample rate likely does not match your device and the device did not convert it. Load the version at your device's native rate.
It sounds muffled. There is a second cab in the chain: an Amp + Cab capture, a profile with a cab, or a real guitar speaker. Remove one.
I loaded a 96 kHz IR on a 48 kHz device and it sounds fine. The editor converted it. That is normal and fine; the native version is still the purest option when available.
Should I use 1,024 or 2,048 samples? Use the longest your device supports without running out of processing. In a band mix, the difference is small.
Do MultiTracks IRs work on budget pedals? Yes. Any device with an IR or cab loader plays them.
Can I use MultiTracks IRs with NAM, ToneX, Neural, or Proxy captures? Yes, after any capture labeled DI or Amp only. Skip them after captures that include a cab.
What to look at next
Any IR loader, flagship to budget: MultiTracks cab IR packs captured from the cabinets on the records.
Running DI captures (NAM, ToneX, Neural, Proxy, Kemper Direct): IRs designed to pair with the matching MultiTracks captures.
Acoustic players: MultiTracks acoustic IRs; see the acoustic IR guide.
Device guides: Line 6, Kemper, Neural DSP, IK ToneX, Fractal, HeadRush, and NAM captures.
